11 Predictions for 2011, by Tristan Louis, including Danish Cool

All of them worthwhile!

Amplify’d from feeds.tristanlouis.com

A dent in ownership

Netflix and Redbox have almost destroyed the concept of owning DVD disks. Pandora has lowered the need to buy music.  Zipcar has made not owning a car possible for a lot of urbanites. The real estate crisis has made owning your own place seem less cool.

All and all, it seems the trend is moving, to a large extent, away from physical ownership of goods and towards either sharing models or outright rentals. We will see this trend continue to grow over the coming year. Some of the things to watch out for are the rise of the cord-cutters, where people replace their cable TV offering with an online only offering because of the a-la-carte pricing nature of online efforts. Another trend to look at is e-book lending with the initial efforts or the Nook and Kindle readers offering sharing capabilities on select titles.

The mobile revolution continues

The introduction of the iPhone 3 years ago shifted the whole online landscape to mobile devices. Yet, for all the discussion of mobile, it still has been a phenomenon sitting on the edge, as smart-phones were on the more expensive side of the price spectrum. Except all this to change this year, with many Android-based phones being available for free or almost free, putting any feature phone at a substantial disadvantage.

At the same time, get ready for the shoot-and-learn revolution as QR-codes, tagged objects, and smart tools like Google Goggles gain more mainstream acceptance. People will increasingly scan or shoot to learn more about or compare a physical good to information available online.

Internet Backlash

The internet industry has benefited from a great amount of support over the last 2–3 years. Companies like Facebook, GroupOn, Zynga, and Google have been able to move along with high levels of consumer acceptance. I suspect that this year, we may start seeing more people rethinking some of their web 2.0 choices, disclosing a little less information on Facebook, or becoming more wary of the power of Google. We will also see the rise of digital-free zones, where people agree that the use of mobile devices or computers is not allowed.

Read more at feeds.tristanlouis.com

 

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What is BEAM? At first glance, it is not nice to your fans

Because they can only enjoy your music in the proprietary BEAM player. A fact that supposedly is countered by offering a rich multimedia experience. In that same proprietary browser.

Amplify’d from heedia.com
It is a Full Quality album, Downloadable and Playable only inside Beam platform.

  • Can be downloaded only if user knows the Beam Album Unlock Code(s) and upon download he may not share or copy it.

  • A Beam album is connected with an online Beam Browser enabling bands to present any information (announce gigs, sell advertising space, sell Cd’s or tickets, present their digital booklet, link with other networks.)

  • Every track is connected to the Online MP3 shop of your choise so that fans buy the MP3 in order to play them outside application.

Read more at heedia.com

 

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It’s about the relation with the fan

If the fans feel they are dealing directly with the artist, their willingness to pay increases. Bandcamp embodies this 100%, Topspin can embody this if the artist chooses to utilize it that way.

Amplify’d from latimesblogs.latimes.com
According to Francis, fans paid an average of more than $5 for the 84-cent album, a trend of generosity that Bandcamp founder Ethan Diamond said extends throughout the site, even as overall music sales continue to slide.
“I think a lot of it is the fans’ perception that they’re supporting the artist and they want to pay more when that’s what they perceive,” he said. With donations, “fans are paying about 50% more than whatever that minimum is.”

Read more at latimesblogs.latimes.com

 

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