The Canadian Copyright Settlement

Amplify’d from lefsetz.com

Only sign a major label deal if:

1. You make radio-driven hit music and your career is dependent upon it.  The majors control radio, you can’t have a hit without them.  But radio means ever less, and the formats other than Top Forty are also-rans paying ever-decreasing dividends.

If you don’t know the labels steal then you’re not in this business.  But the problem is not so much them as it is you.  No one is forcing you to sign on the dotted line.  But you think if your record comes out on Universal or Warner Brothers, you’ve made it.  But there’s no label on a digital download, and just because a product is in the supermarket that doesn’t mean it sells.  And today the supermarket is worldwide, stuffed with tons of goodies.  The avenue to success is not making a deal with the devil, but being really good.  Because if you’re really good the Net can focus attention on you in a heartbeat.  But this usually happens years after you’ve started, when you’re finally in the groove, when you’re worthy of the attention, long after the major label would have dropped you and you would have quit in frustration.

Read more at lefsetz.com

 

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How Artists Can Profit From File Sharing

Copious (and somewhat technical) advice on how to best construct your download-page for ultimate success. Make sure to read the entire piece, then forward to your website-nerd-builder-friend.

Amplify’d from www.musicthinktank.com

FACT: people download music for free.  

Music will always surface on file sharing platforms and consumers will continue to download music for free, but recordings are even more important for artists than ever before.  There is a new purpose for recorded content; artists will no longer generate revenue directly from recordings, instead this will be the entrance point for consumers into a the brand.  Great music will generate revenue through merch or ticket purchases, or lead to sponsorships as major brands seek out artists to enhance the value of their own product.  The solution to file sharing is for artists to better manage their recorded music by creating a dedicated landing page on their own website, housing a free album download.

Search Rankings for Landing Pages Defined 

File Sharing Networks are Commanding Links for Free Downloads

How to Capitalize with Artist Managed File Sharing 

Girl Talk, aka Gregg Gillis, released a new record called “All Day,” out 11.15 on Illegal Art.  GT embrased these concepts.  The record was free and hosted on a landing page, resulting in 4 key developments:

1. Girl Talk earned 14,903 inbound links.  These links would have otherwise gone to file sharing platforms.  The GT landing page received links from high authority sources like Mashable.com and MTV.com, therefore achieving higher rankings in the search results.

2. Huge increases in traffic during the month of release.  Analyzing traffic figures with Compete.com, the 6 month traffic average between May and October was 3,025 unique visitors.  Traffic jumped to over 211,111 unique visitors for the month of November.   

3. When typing the keywords “Girl Talk download” into Google search, the GT landing page appears in the search results ahead of file sharing networks.  Thus, using a file sharing network becomes pointless.  This is exactly how artists should manage file sharing.

4. Girl Talk social media conversations skyrocketed the week of release.  There was an estimated 18.5M GT mentions the week of 11.15.2010 – 11.22.2010 between Facebook and Twitter, up from 15 tweets the previous week.  These mentions developed the brand and encouraged inbound links.

Optimize the Free Download Landing Page 

It’s clear that a free album download will be linked to and will attract new visitors.  An optimized landing page will convert these visitors to customers.  Make the page a better experience than file sharing sites.  Keep in mind that not everyone on a site wants the same thing; visitors are in different stages of the buying cylce.  Some are familiar with the music and brand, others are not.  Think of the buying cycle as a funnel.  Recorded content is at the top of the funnel, and is the entrance into the buying cycle and an artist’s brand.  Once in the funnel, consumers should be guided through to the bottom of the funnel, or a sale.  

Does selling a record for $9.99 that will show up on file sharing networks anyways outweigh offering it for free on an artist’s site, generating inbound links and higher search results, selling merch and tickets, and developing a strong, lasting online presence?  File sharing has already changed the music landscape – now it’s the artists chance to change the landscape of file sharing.

Read more at www.musicthinktank.com

 

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The Gloves Are Off: Google Chrome Browser Will Drop Support For H.264 Video Codec

Remember: Apple and Google are not friends.

Amplify’d from techcrunch.com

In the world of online video, there is a battle brewing over the next dominant standard for online video, especially on HTML5 Web pages. Today, Google took the gloves off and declared that it will soon stop supporting the H.264 video codec in its Chrome browser. Instead, it will only support open-source technologies such as its own WebM initiative (with its VP8 codec) and the open-source Theora video codec, which is used by Firefox.

But how can Google justify dropping support for H.264, but not Flash (which also uses H.264 for video)? Simple, Adobe is also one of the WebM partners and will support WebM technologies inside Flash. Yup, Flash is siding with Google on this one. So the battle lines here are really between Google and Apple, which is still sticking with H.264 (the non-Flash variety). Just when it looked like H.264 was winning too.

Read more at techcrunch.com

 

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